Balance | ||||
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Studio album by Van Halen | ||||
Released | January 24, 1995 | |||
Recorded | May - September 1994 at 5150 Studios, Hollywood, CA and Little Mountain Sound Studios, Vancouver, BC | |||
Genre | Hard rock, heavy metal | |||
Length | 53:07 | |||
Label | Warner Bros. | |||
Producer | Bruce Fairbairn | |||
Van Halen chronology | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic | [1] |
Rolling Stone | [2] |
Balance is the 10th studio album by American hard rock band Van Halen. It was released in 1995 and, to date, is the fourth and final Van Halen album of all-new material featuring lead singer Sammy Hagar. It was also a more complete divergence from their earlier, more heavy metal sound. It has the hard rock elements of For Unlawful Carnal Knowledge, mixed with the dark and somber themes from OU812. Although the album was mostly made at 5150 Studios, Hagar and producer Fairbairn recorded vocals at Little Mountain Sound Studios in Vancouver [Hagar claims in his autobiography that this was because Eddie Van Halen was overbearing with his criticism and attempted direction of his vocal takes]. Originally, the title of the album was to be named Seventh Seal and, at some other point, The Club (nickname of their former manager Ed Leffler, who died in October 1993).
Behind the scenes, Van Halen was falling apart. Eddie Van Halen was in need of a hip replacement, and Alex Van Halen was suffering from neck pain. Van Halen's new manager was Ray Danniels, who happened to be Alex Van Halen's brother in-law.
Contents |
"The Seventh Seal" kicks off the album. Complete with chanting monks and dangling metal bells, the song unveiled a vast, open, U2-like guitar wall that propelled through the darkest terrain the band ever tackled.
"Can't Stop Lovin' You" pays homage to Ray Charles, who had his own hit song entitled "I Can't Stop Loving You". The Van Halen song references this with the lyric: "Hey, Ray, what you said is true, I can't stop lovin' you".
The song was Sammy Hagar's attempt to assume his ex-wife's point of view that she was still madly in love with him.
"Don't Tell Me (What Love Can Do)" was originally, "What Love Can Do". The song was written about the power of universal love, with references to the suicide of Kurt Cobain.
"Amsterdam" was written about Eddie and Alex's place of birth, before they moved out to Nijmegen. The lyrics, however, represented Sammy's tourist impression of the freedom the city has.
"Big Fat Money" was a honky tonk rocker.
"Strung Out" was actually recorded in 1983, prior to the recording of 1984. The actual recording is Eddie "playing" the strings of a Grand Piano with various objects including ping pong balls, D-cell batteries, knives and forks.
It was this 1983 session that Eddie had rented a house that belonged to Marvin Hamlisch. There was a piano in the house that Eddie destroyed while recording himself using the aforementioned objects on the piano's strings. The piece actually comes from 6 hours of recorded noise. Eddie was forced to pay around $15,000 for the damage and Balance producer, Bruce Fairbairn said that a recording that expensive shouldn't go to waste.
"Not Enough" reflected a lot of sorrow with strings and Michael Anthony playing a fretless bass. The song was questioning if love is enough or not.
"Aftershock" is an emotionally straining fist-shaker, complete with a borrowed lick from Metallica .
"Doin' Time" is an instrumental, showcasing Alex Van Halen on the drums and percussion.
"Baluchitherium" was named after a large extinct land mammal by Eddie's wife, Valerie Bertinelli. The song originally had lyrics; the vocal melody which Sammy later developed for guitar.
The track also features Eddie Van Halen's dog howling.
During the Balance tour show in Pensacola, Florida, Sammy stated that "Take Me Back (Déjà Vu)" was "a true story". The song itself features a then almost 20 year old riff Eddie had previously used on a song entitled "No More Waiting" which the band played on occasion in the pre-Van Halen I era.[3]
"Feelin'" finishes the album. It was a minor-key rock epic with a string section and a heartrending vocal performance, unlike anything Sammy had previously brought to the band.
The Japanese pressing includes a bonus track "Crossing Over", which was the B-side to "Can't Stop Lovin' You".
The song was originally written and recorded by Eddie in 1983, shortly after one of his friends had committed suicide. The song was given a chance at rebirth after the untimely death of their manager, Ed Leffler, ten years after the track was originally recorded. On the left channel, played Eddie's music from 1983 on electronic drums; on the right channel, played the reworked song with guitar, bass, drums, and vocals.
The album's cover art was provided by Glen Wexler, which was based on a concept that Alex Van Halen described to him. It was censored in Japan.[4]
All songs by Eddie Van Halen, Michael Anthony, Sammy Hagar and Alex Van Halen.
The album was also released on vinyl with "Baluchitherium" omitted due to time constraints and a slightly altered track order.
The Japanese bonus track "Crossing Over" was also the B-Side to the US CD Single for "Can't Stop Lovin' You".
Region | Certification | Sales/shipments |
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Brazil (ABPD)[5] | Gold | 100,000* |
Canada (Music Canada)[6] | 3× Platinum | 300,000^ |
United States (RIAA)[7] | 3× Platinum | 3,000,000^ |
*sales figures based on certification alone |
Year | Chart | Position |
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1995 | The Billboard 200 | 1 |
Year | Single | Chart | Position |
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1995 | "Amsterdam" | Mainstream Rock Tracks | 9 |
1995 | "Can't Stop Lovin' You" | Mainstream Rock Tracks | 2 |
1995 | "Can't Stop Lovin' You" | The Billboard Hot 100 | 30 |
1995 | "Can't Stop Lovin' You" | Top 40 Mainstream | 11 |
1995 | "Don't Tell Me (What Love Can Do)" | Mainstream Rock Tracks | 1 |
1995 | "Not Enough" | Mainstream Rock Tracks | 27 |
1995 | "Not Enough" | The Billboard Hot 100 | 97 |
1995 | "Not Enough" | Top 40 Mainstream | 39 |
1995 | "The Seventh Seal" | Mainstream Rock Tracks | 36 |
Preceded by The Hits by Garth Brooks |
Billboard 200 number-one album February 11–17, 1995 |
Succeeded by The Hits by Garth Brooks |
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